South of Pico

South of Pico Author Kellie Jones
ISBN-10 0822361450
Release 2017-04-07
Pages 440
Download Link Click Here

Kellie Jones traces how the artists in L.A.'s black communities during the 1960s and 70s created a vibrant, productive, and engaged activist arts scene in the face of structural racism through the production of art works that spoke to African American migration and L.A.'s racial politics.



South of Pico

South of Pico Author Kellie Jones
ISBN-10 9780822374169
Release 2017-03-17
Pages 416
Download Link Click Here

In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond.



South of Pico

South of Pico Author Kellie Jones
ISBN-10 0822361647
Release 2017-04-07
Pages 440
Download Link Click Here

Kellie Jones traces how the artists in L.A.'s black communities during the 1960s and 70s created a vibrant, productive, and engaged activist arts scene in the face of structural racism through the production of art works that spoke to African American migration and L.A.'s racial politics.



EyeMinded

EyeMinded Author Kellie Jones
ISBN-10 9780822348733
Release 2011-05-27
Pages 515
Download Link Click Here

Selections of writing by the influential art critic and curator Kellie Jones reveal her role in bringing attention to the work of African American, African, Latin American, and women artists.



Mounting Frustration

Mounting Frustration Author Susan E. Cahan
ISBN-10 9780822374893
Release 2016-01-15
Pages 360
Download Link Click Here

Prior to 1967 fewer than a dozen museum exhibitions had featured the work of African American artists. And by the time the civil rights movement reached the American art museum, it had already crested: the first public demonstrations to integrate museums occurred in late 1968, twenty years after the desegregation of the military and fourteen years after the Brown vs. Board of Education decision. In Mounting Frustration Susan E. Cahan investigates the strategies African American artists and museum professionals employed as they wrangled over access to and the direction of New York City's elite museums. Drawing on numerous interviews with artists and analyses of internal museum documents, Cahan gives a detailed and at times surprising picture of the institutional and social forces that both drove and inhibited racial justice in New York's museums. Cahan focuses on high-profile and wildly contested exhibitions that attempted to integrate African American culture and art into museums, each of which ignited debate, dissension, and protest. The Metropolitan Museum's 1969 exhibition Harlem on My Mind was supposed to represent the neighborhood, but it failed to include the work of the black artists living and working there. While the Whitney's 1971 exhibition Contemporary Black Artists in America featured black artists, it was heavily criticized for being haphazard and not representative. The Whitney show revealed the consequences of museums' failure to hire African American curators, or even white curators who possessed knowledge of black art. Cahan also recounts the long history of the Museum of Modern Art's institutional ambivalence toward contemporary artists of color, which reached its zenith in its 1984 exhibition "Primitivism" in Twentieth Century Art. Representing modern art as a white European and American creation that was influenced by the "primitive" art of people of color, the show only served to further devalue and cordon off African American art. In addressing the racial politics of New York's art world, Cahan shows how aesthetic ideas reflected the underlying structural racism and inequalities that African American artists faced. These inequalities are still felt in America's museums, as many fundamental racial hierarchies remain intact: art by people of color is still often shown in marginal spaces; one-person exhibitions are the preferred method of showing the work of minority artists, as they provide curators a way to avoid engaging with the problems of complicated, interlocking histories; and whiteness is still often viewed as the norm. The ongoing process of integrating museums, Cahan demonstrates, is far broader than overcoming past exclusions.



1971

1971 Author Darby English
ISBN-10 9780226131054
Release 2016-12-20
Pages 285
Download Link Click Here

Art historian Darby English is celebrated for working against the grain and plumbing gaps in historical narratives. In this book, he explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of black cultural politics: Contemporary Black Artists in America, shown at the Whitney Museum of American Art, and The DeLuxe Show, an integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.1971 takes an insightful look at many black artists' desire to gain freedom from overt racial representation, as well as their and their advocates' efforts to further that aim through public exhibitions. Amid calls to define a "black aesthetic" or otherwise settle the race question, these experiments with modernist art favored cultural interaction and instability. Contemporary Black Artists in America highlighted abstraction as a stance against normative approaches, while The DeLuxe Show positioned abstraction in a center of urban blight. The power and social importance of these experiments, English argues, came partly from color's special status as a racial metaphor and partly from investigations of color that were underway in formalist American art and criticism.



Epistrophies

Epistrophies Author Brent Hayes Edwards
ISBN-10 9780674055438
Release 2017-06-05
Pages 336
Download Link Click Here

Hearing across media is the source of innovation in a uniquely African American sphere of art-making and performance, Brent Hayes Edwards writes. He explores this fertile interface through case studies in jazz literature—both writings informed by music and the surprisingly large body of writing by jazz musicians themselves.



Theories of the Nonobject

Theories of the Nonobject Author Mónica Amor
ISBN-10 9780520286627
Release 2016-03-15
Pages 344
Download Link Click Here

"Theories of the Nonobject investigates the crisis of the sculptural and painterly object in the concrete, neoconcrete, and constructivist practices of artists in Argentina, Brazil, and Venezuela, with case studies of specific movements, artists, and critics. Amor traces their role in the significant reconceptualization of the artwork that Brazilian critic and poet Ferreira Gullar heralded in 'Theory of the Nonobject' in 1959, with specific attention to a group of major art figures including Lygia Clark, Hélio Oiticica, and Gego, whose work proposed engaged forms of spectatorship that dismissed medium-based understandings of art. Exploring the philosophical, economic, and political underpinnings of geometric abstraction in post-World War II South America, Amor highlights the overlapping inquiries of artists and critics who, working on the periphery of European and US modernism, contributed to a sophisticated conversation about the nature of the art object"--Provided by publisher.



Enacting Others

Enacting Others Author Cherise Smith
ISBN-10 9780822347996
Release 2011-03-07
Pages 307
Download Link Click Here

An analysis of the complex engagements with issues of identity in the performances of the artists Adrian Piper, Eleanor Antin, Anna Deavere Smith, and Nikki S. Lee.



Now Dig This

Now Dig This Author Kellie Jones
ISBN-10 3791351362
Release 2011
Pages 351
Download Link Click Here

This comprehensive, lavishly illustrated catalogue offers an in-depth survey of the incredibly vital but often overlooked legacy of Los Angeles's African American artists, featuring many never-before-seen works.



Hard Boiled Hollywood

Hard Boiled Hollywood Author Jon Lewis
ISBN-10 9780520284319
Release 2017-04-19
Pages 248
Download Link Click Here

The tragic and mysterious circumstances surrounding the deaths of Elizabeth Short, or the Black Dahlia, and Marilyn Monroe ripped open Hollywood's glitzy fa�ade, exposing the city's ugly underbelly of corruption, crime, and murder. These two spectacular dead bodies, one found dumped and posed in a vacant lot in January 1947, the other found dead in her home in August 1962, bookend this new history of Hollywood. Short and Monroe are just two of the many left for dead after the collapse of the studio system, Hollywood's awkward adolescence when the company town's many competing subcultures--celebrities, moguls, mobsters, gossip mongers, industry wannabes, and desperate transients--came into frequent contact and conflict. Hard-Boiled Hollywood focuses on the lives lost at the crossroads between a dreamed-of Los Angeles and the real thing after the Second World War, where reality was anything but glamorous."



Exhibiting Blackness

Exhibiting Blackness Author Bridget R. Cooks
ISBN-10 9781558498754
Release 2011
Pages 205
Download Link Click Here

In 1927, the Chicago Art Institute presented the first major museum exhibition of art by African Americans. Designed to demonstrate the artists' abilities and to promote racial equality, the exhibition also revealed the art world's anxieties about the participation of African Americans in the exclusive venue of art museums -- places where blacks had historically been barred from visiting let alone exhibiting. Since then, America's major art museums have served as crucial locations for African Americans to protest against their exclusion and attest to their contributions in the visual arts. In Exhibiting Blackness, art historian Bridget R. Cooks analyzes the curatorial strategies, challenges, and critical receptions of the most significant museum exhibitions of African American art. Tracing two dominant methodologies used to exhibit art by African Americans -- an ethnographic approach that focuses more on artists than their art, and a recovery narrative aimed at correcting past omissions -- Cooks exposes the issues involved in exhibiting cultural difference that continue to challenge art history, historiography, and American museum exhibition practices. By further examining the unequal and often contested relationship between African American artists, curators, and visitors, she provides insight into the complex role of art museums and their accountability to the cultures they represent.



Pacific Standard Time

Pacific Standard Time Author J. Paul Getty Museum
ISBN-10 9781606060728
Release 2011
Pages 330
Download Link Click Here

"This volume is published for the occasion of the Getty's citywide grant initiative Pacific Standard Time: Art in Los Angeles 1945-1980 and accompanies the exhibition Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture 1950- 1970, held at the J. Paul Getty Museum, Los Angeles."



We Wanted a Revolution

We Wanted a Revolution Author Catherine Morris
ISBN-10 0872731839
Release 2017
Pages 320
Download Link Click Here

We Wanted a Revolution has been writing in one form or another for most of life. You can find so many inspiration from We Wanted a Revolution also informative, and entertaining. Click DOWNLOAD or Read Online button to get full We Wanted a Revolution book for free.



Black and Brown in Los Angeles

Black and Brown in Los Angeles Author Josh Kun
ISBN-10 9780520956872
Release 2013-10-25
Pages 418
Download Link Click Here

Black and Brown in Los Angeles is a timely and wide-ranging, interdisciplinary foray into the complicated world of multiethnic Los Angeles. The first book to focus exclusively on the range of relationships and interactions between Latinas/os and African Americans in one of the most diverse cities in the United States, the book delivers supporting evidence that Los Angeles is a key place to study racial politics while also providing the basis for broader discussions of multiethnic America. Students, faculty, and interested readers will gain an understanding of the different forms of cultural borrowing and exchange that have shaped a terrain through which African Americans and Latinas/os cross paths, intersect, move in parallel tracks, and engage with a whole range of aspects of urban living. Tensions and shared intimacies are recurrent themes that emerge as the contributors seek to integrate artistic and cultural constructs with politics and economics in their goal of extending simple paradigms of conflict, cooperation, or coalition. The book features essays by historians, economists, and cultural and ethnic studies scholars, alongside contributions by photographers and journalists working in Los Angeles.



Begin with the Past

Begin with the Past Author Mabel O. Wilson
ISBN-10 9781588345691
Release 2016-09-27
Pages 144
Download Link Click Here

"The story of the vision behind and building of the National Museum of African American History and Culture"--



The Neighborhood Has Its Own Rules

The Neighborhood Has Its Own Rules Author Cid Martinez
ISBN-10 9780814762844
Release 2016-07-19
Pages 272
Download Link Click Here

South Los Angeles is often seen as ground zero for inter-racial conflict and violence in the United States. Since the 1940s, South LA has been predominantly a low-income African American neighborhood, and yet since the early 1990s Latino immigrants—mostly from Mexico and many undocumented—have moved in record numbers to the area. Given that more than a quarter million people live in South LA and that poverty rates exceed 30 percent, inter-racial conflict and violence surprises no one. The real question is: why hasn't there been more? Through vivid stories and interviews, The Neighborhood Has Its Own Rules provides an answer to this question. Based on in-depth ethnographic field work collected when the author, Cid Martinez, lived and worked in schools in South Central, this study reveals the day-to-day ways in which vibrant social institutions in South LA— its churches, its local politicians, and even its gangs—have reduced conflict and kept violence to a level that is manageable for its residents. Martinez argues that inter-racial conflict has not been managed through any coalition between different groups, but rather that these institutions have allowed established African Americans and newcomer Latinos to co-exist through avoidance—an under-appreciated strategy for managing conflict that plays a crucial role in America's low-income communities. Ultimately, this book proposes a different understanding of how neighborhood institutions are able to mitigate conflict and violence through several community dimensions of informal social controls.